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Cage Tropical

by Frankie Rose

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  • Record/Vinyl + Digital Album

    Special edition white vinyl with gold splatter. Top quality pressing with nice reverse-board + metallic ink jacket. THIS VERSION ONLY AVAILABLE AT FRANKIE'S SHOWS, VIA DIRECT MAIL ORDER AND AT SELECT UK INDIE SHOPS. Ships on or before the August 11th release date. Mail orders include free poster and sticker, while supplies last.

    Includes digital pre-order of Cage Tropical. You get 2 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    digital album releases August 11, 2017
    item ships out within 3 days

      $16 USD or more 

     

  • Compact Disc (CD) + Digital Album

    Shiny and convenient CD packaged in nifty gatefold cardboard wallet. Ships on or before the August 11th release date. Mail orders include a free sticker, while supplies last.

    Includes digital pre-order of Cage Tropical. You get 2 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    digital album releases August 11, 2017
    item ships out within 3 days

      $9 USD

     

  • Streaming + Download

    Pre-order of Cage Tropical. You get 2 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    releases August 11, 2017

      $8 USD  or more

     

1.
Love In Rockets
2.
Dyson Sphere
3.
04:33
4.
Art Bell
5.
Dancing Down The Hall
6.
Cage Tropical
7.
Game To Play
8.
04:04
9.
Epic Slack
10.
Decontrol

about

After spending years as a major presence in Brooklyn’s thriving music scene, Frankie Rose relocated to her familial home of Los Angeles for 18 months with the intention of establishing yet another moment in her storied indie rock métier. Gradually, she found herself short on sleep, funds and optimism. "I moved to LA, drama ensued and I ended up on a catering truck. I was like, how can this be my life after being a touring musician and living off of music. I had really lost my way and I thought I was totally done."

Through sleepless nights of listening to broadcaster Art Bell’s paranormal-themed archives, Frankie’s thoughts had turned to "who am I, I’m not cut out for this business, it’s not for me." She continues, "I was literally in my room in L.A., not knowing how I was going to get out. But out of it all, I just decided to keep making music, because it is what I love and what I do – regardless of the outcome."

Towards the end of her time spent in Los Angeles, Frankie reached out to Jorge Elbrecht (Tamaryn, Gang Gang Dance, Violens) and began sketching what became the basic outline of what felt like a new album. Then, rather fortuitously, Frankie ended up back in Brooklyn with the realization that "in the end, I’m on my own. I have to do these things on my own."

The months that ensued meant basically working with no budget and finding ways to record in-between days. This time enabled Frankie to experiment musically with a variety of people that ultimately changed the way she worked. "I got a lot of input from people like Dave Harrington (Darkside), who was helpful reconstructing the songs, adding dynamics and changing up the rhythms."

The result of this existential odyssey is "Cage Tropical," Frankie’s 4th album. It is awash with vintage synths, painterly effects pedals, upside down atmosphere and reverberating vocals. It evokes a new wave paranormality of sorts that drifts beyond the songs themselves. "My references aren’t just music," says Frankie, "I love old sci-fi. They Live is one of my favorite movies ever, same with Suspiria. 80’s sci-fi movies with a John Carpenter soundtrack, with silly synths – that makes it into my file, to the point that I’ll write lyrics incorporating that kind of stuff. It’s in there."

Beginning with the shimmery, cinematic and percussive sparkling of the album’s opening track "Love in Rockets," the song’s refrain of "a wheel, a wheel of wasting my life: a wheel, a wheel of wasting my time" immediately alludes to those darker circumstances that led to the creative origins of "Cage Tropical.""It’s all essentially based on what happened to me in Los Angeles and then a return to Brooklyn," says Frankie. "Misery turned into something good. The whole record to me is a redemption record and it is the most positive one I’ve made"

"I feel like I am finally free from worrying about an outcome. I don’t care. I already lost everything. I already had the worst-case scenario. When that happens, you do become free. In the end, it’s about me rescuing myself via having this record."

credits

releases August 11, 2017

Engineered by Yale Yng Wong at Dr. Wu's Studio
Additional Tracking at Melt Studio & Frankie's Closet
Produced by Frankie Rose & Jorge Elbrecht

Dancing Down The Hall, Cage Tropical & Decontrol - Co-Produced by Dave Harrington

Additional Production by Dave Harrington
LOVE IN ROCKETS - percussion / edits
TROUBLE - synths, percussion / edits, vocal loops, 
ART BELL - synths
GAME TO PLAY - percussion / edits loops, synth bass
RED MUSEUM - percussion / edits

Additional Production by Andrew Marr, Andrew Fox, Juan Pieczanski & Jeff Curtin

Thank you for playing Jackson Baugh, Wayne Faler, Corey Cunningham, Spencer Zahn, Ian Chang, Ariel Loh & Andrew Fox.

Original version of Dancing Down the Hall by Jackson Baugh
Mastered by Sarah Register
Cover Illustration by Frankie Rose
Layout & Design by Shaun Durkan

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Frankie Rose New York

Cage Tropical - NEW LP - August 11

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